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“Pacy, witty, succinct” – CrimeTime review of Dead Ringer
Bob Cornwell gives his review of Dead Ringer for CrimeTime. “When I first met my double, I was disappointed how little she looked like me.” So thinks Ella Mosier, 24, a native of Walney Island, close by Barrow-in-Furness, Cumbria as she meets Jemima Coottes-Mitchell, 25, London for the first time. Both have been intrigued by…

BBC Radio Bristol interview
On Wednesday 26 February 2020, I stopped by the BBC Radio Bristol studios to chat with Steve Yabsley about cats, ice skating, and the time I got fired from a job for insubordination. Play the interview below or find it on YouTube…

Embrace the idea of multiple drafts – Things I learned while writing Dead Ringer
I’ve spent a lot of my writing life harbouring under the delusion that my first draft needed to be perfect. Or close enough, anyway. If my first draft was a disaster, I was a failure. I still struggle with this perfectionism, but it’s good to remind myself that my first draft of Dead Ringer was…

The North/South Divide in Crime Fiction (guest feature on CrimeTime)
I wrote a feature for CrimeTime about the North/South divide in crime fiction and how setting can impact on a story. Name an island off the coast of England. Isle of Wight? Isle of Man? Maybe Lundy, if you’re feeling clever. How about Walney Island? It’s an island, a beautiful windswept island, off the north…

Dead Ringer wins fiction prize at Lakeland Book of the Year Awards
I bumbled up to Penrith last month for the 2021 Lakeland Book of the Year Awards, the very picture of “I’m just glad to be nominated”. After all, there was no way my debut thriller, Dead Ringer, with its doppelganger vs. doppelganger showdown on the sinking sands of Walney Island in Cumbria, was going to…

Let your readers hear your protagonist’s thoughts – Things I learned while writing Dead Ringer
Dead Ringer started life as a third-person novel, until my agent suggested I make it first-person. This was a big change, but it made the protagonists’ voices much clearer. The reader gets to sit in their heads, hear their thoughts. This, I think, is the superpower of novels (versus TV or movies). You get to…