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Embrace the idea of multiple drafts – Things I learned while writing Dead Ringer
I’ve spent a lot of my writing life harbouring under the delusion that my first draft needed to be perfect. Or close enough, anyway. If my first draft was a disaster, I was a failure. I still struggle with this perfectionism, but it’s good to remind myself that my first draft of Dead Ringer was…
To Newcastle in a flash: my experience of reading at Virtual Noir at the Bar
One unexpected upside of a global pandemic is that it makes “travel” much easier. Virtual travel, to book events, anyway. Attending Newcastle’s Noir at the Bar, a boozy evening with crime writers, would have been difficult for me two months ago, what with the expense and travel time. Now that all our social gatherings are…
BBC Radio Bristol interview
On Wednesday 26 February 2020, I stopped by the BBC Radio Bristol studios to chat with Steve Yabsley about cats, ice skating, and the time I got fired from a job for insubordination. Play the interview below or find it on YouTube…
“Pacy, witty, succinct” – CrimeTime review of Dead Ringer
Bob Cornwell gives his review of Dead Ringer for CrimeTime. “When I first met my double, I was disappointed how little she looked like me.” So thinks Ella Mosier, 24, a native of Walney Island, close by Barrow-in-Furness, Cumbria as she meets Jemima Coottes-Mitchell, 25, London for the first time. Both have been intrigued by…
Make your protagonist the type of person who jumps into the fray – Things I learned while writing Dead Ringer
In life, I’m a risk-averse person. I always weigh up my options and try to act prudently. In novels, I’ve found that prudent characters make for boring protagonists. Dead Ringer got immeasurably better when I added in a second narrator, Jem. She’s reckless and rebellious and will always throw herself into the fray. For this…
Let your readers hear your protagonist’s thoughts – Things I learned while writing Dead Ringer
Dead Ringer started life as a third-person novel, until my agent suggested I make it first-person. This was a big change, but it made the protagonists’ voices much clearer. The reader gets to sit in their heads, hear their thoughts. This, I think, is the superpower of novels (versus TV or movies). You get to…